KARRASKAN
Galería
MORE PROJECTS
KULTURBOX
The way of consuming culture has changed considerably in recent times. In addition to existing trends towards digitalisation, there has been the impact of the coronavirus, which has had a very negative impact on the development of in-person cultural activity, but which has allowed the development of new ways of consuming art and culture, online and choosing the content that most interests us, to enjoy it when, where and how we want.
This change of parameters logically affects everything to do with artistic creation, art consumption and the dissemination of cultural heritage. Moreover, we must remember the importance of the heritage value chain and its six interconnected steps: identification, documentation, valuation, conservation, dissemination and reflection.
Combining both concepts, the new modes of artistic-cultural consumption and the importance of the heritage value chain, this project is focused on the dissemination of art and heritage combined with a careful aesthetic from the keys of design and contemporary art. This is how KulturBox was born, a series of artistic boxes to approach culture in an accessible, inclusive and comfortable way, offering a new quality format that incorporates playfulness and allows you to enjoy culture à la carte.
KulturBox is designed for anyone who shows an interest in culture and art, regardless of their education or knowledge of it. Restless people, concerned about the knowledge of their environment and who are sensitive to the heritage that surrounds them, eager to know and learn, but also to look for quality leisure activities.
The KulturBox project is promoted in a co-creation format with María José Noain Maura, from Los Viajes de Aspasia.
DONOSTIARTEAN AZOKARAKO STANDAREN DISEINUA
STANDAREN DISEINUA.
**BEZEROA: **Ayuntamiento de Irun
Donostiartean arte garaikideko azokarako stand-a diseinua eta eraikuntza. Azoka hau 2017ko uztailaren 20tik 23ra ospatu zen.
Bitamine Faktoria sormen lantegiaren proposamena forma-minimalismoan eta argitasunean oinarritzen da. Azalera stand esku-hartze soila burutzen da, komunikatu nahi den mezua indartzeko xedez: Irungo udalak bultzatzen dituen proiektuen izaera berritzailea.Interiorismoak elementu erakargarria sortzen du, sartzeko gonbitea luzatzeko. Horretarako, sarbide bat eratu da, zurezko egitura bat eraikiz, kirol-sare batekin bilduta eta puxika zuriz beteta. Barne hormetan, informazio-biniloak itsatsi dira, proiektuen filosofia era grafikoan irudikatzeko baita Irungo udalaren logoa eskuz margotutako ohol bi ere. Bestalde, proiektuen izaera bi bideoren bitartez zabaltzen da, zurez egindako euskarri banatan jarrita.
Emotional Management in the Art Ecosystem: Towards a Decalogue of Good Cultural Practices
Bitamine is launching a research project on the emotional, professional, and relational conditions that shape the artistic and cultural ecosystem in Gipuzkoa.
The project starts from a simple yet necessary question: how do precarity, uncertainty, open calls, production rhythms, and sector dynamics affect the everyday lives of the people who sustain this ecosystem?
Through this questionnaire, we aim to gather experiences, perceptions, and forms of discomfort, while also identifying practices of care, strategies of resistance, and possible paths for transformation. The ultimate goal is to develop a collective diagnosis and a decalogue of good cultural practices that can contribute to a more sustainable, fair, and caring cultural sector.
The research is coordinated by Helga Massetani Piemonte (Bitamine) and developed in collaboration with:
Mónica Crespo Doval
Degree in Sociology, Academic Secretary and Tutor Lecturer at UNED-Bergara.
Larraitz Nerea Zumeta Sánchez
PhD in Psychology, researcher and tutor at UNED-Bergara.
If you work professionally within the artistic and cultural sector in Gipuzkoa, we invite you to participate.
👉 Access the questionnaire: https://form.typeform.com/to/ijbBLP7I
Estimated completion time: 15-20 minutes.
Your participation is anonymous and will contribute to generating collective knowledge about working and living conditions in the cultural sector.